As lawyers – or in my case, aspiring lawyers – we are all too aware of the pressures and mental health risks we face. Ours is a stressful profession, and the need to be mindful of our wellbeing and proactive in maintaining a work/life balance is paramount. Each individual has their own approach to this challenge, and for the creatively inclined among us, it can be an even greater challenge.
Music was one of the first casualties of my decision to study law. Throughout my childhood and undergraduate studies, I had discovered and nurtured a love of classical music performance – although I will readily admit I was not destined for the Melbourne Symphony Orchestra. I fell in love with orchestral music the first time I experienced the ecstasy of performance. There is a moment, not always attained, when the music works. When the orchestra becomes greater than the sum of its parts and explodes in perfect harmony. The feeling as a musician is indescribable. Your chest swells, the hairs stand up on the back of your neck and you achieve simultaneous clarity and euphoria. It is thrilling, addictive and so much more.
The move across to law school and the loss of my music was a terrible wrench. Although I was shortly consumed by the demanding law curriculum, I was also half-heartedly googling community orchestras, wondering whether I could ever again find a place in my life for music. In between the mountains of assigned reading and the copious hours of study I felt obliged to put in every day, the law had established a monopoly on my time. It wasn’t making for a particularly joyful first semester.
The light returned with the golden glint of a treble clef worn around the neck of a classmate. This kindred spirit told me about Lawchestra and gave me the nudge I needed to drag my viola back out of the cupboard. In Lawchestra, I have discovered many a like-minded lawyer-musician. Together we take time out from the pressures of work and study to meet and make glorious, uplifting music.
Lawchestra are looking forward to our first performance of the year, Terminus which will be our greatest performance yet.
Terminus brings together Lawchestra, Habeas Chorus (the choir of Melbourne’s legal industry) and Monash University Choral Society for two epic works, Mozart’s sublime Requiem and the Melbourne premiere of Australian composer Dan Walker’s Last Verses which is based on the final works of some of history’s greatest poets. The performance celebrates life and rallies against death, showcasing the final step of the journey. It promises to be a spectacular event.
One cannot always pick when the moment of perfection will come. When everything clicks and the music begins to soar. It is transcendent, euphoric and amidst the majesty of St Paul’s, I cannot begin to imagine its power. Come and join us, for it shall be incomparable.
As part of Law Week, BottledSnail Productions presents Terminus at St Paul’s Cathedral on Saturday 21 May 2016 (3pm and 7pm) see http://www.bottledsnail.com/terminus for tickets and more information.
BottledSnail Productions is an organisation that seeks to promote mental wellbeing in Melbourne’s legal industry through supporting and producing creative and performing art projects. It has staged musicals, comedy shows, theatre productions and runs many musical ensembles throughout the year.
Terminus is supported by a Law Week grant from Victoria Law Foundation and sponsored by Your Law Firm.
Katharine Kilroy is a third year Juris Doctor student at the University of Melbourne and plays viola in the Melbourne Lawyer’s Orchestra.